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Le Quartier de la Maisonauxmosaiques (Eretria, fouilleset recherches VIII), Lausanne Ehrhardt,W. 1989. , dans Beitrdgezur Ikonographie undHermeneutik, H. U. Cain, Himmelmann, FestschfftflirJNikolaus H. Gabelmann et D. , Mayence, pp. 119-127 Epifanio, E. 1982.

1 et 3; p. ). Die Farbenliessen sich nicht mehr unterscheiden>>. Dessin de E. Landronpour Le Bas 1847, pl. 97 Dessin de Ricardo (ca 1844) reproduitpar Lethaby 1908, fig. 158. Busing 1990. Sur le dessin d'E. Schaubert, les decoupes concaves a la base du calice sont moins accusees que sur le dessin d'E. Landron, et le calice comporte trois sepales jointifs. Sur le dessin de Ricardo, le calice a seulement la forme d'une capsule prolongee vers le haut. Quoi qu'il en soit de ce detail, sur les trois dessins,les petales sont semblableset la palmette comporte 11 feuillesa un point d'inflexion.

83). Date: vers 420 av. -C. 96 Reproduitpar Michaelis 1871, p. 163, pl. 6:3. Reproduit dans Le Bas 1888, pl. 8:1, et, de Ia, par Hubner 1973, p. 122, fig. 17: les formes y perdent chaque fois en 6paisseuret density. 2. CARACTERISTIQUES MORPHOLOGIQUES ET SYNTACTIQUES DU REPERTOIRE DES MARBRES. Cette relectureimpose une evidence : les peintressurmarbreont la main plus legere que les peintres sur terre cuite. Cela tient moins a la syntaxe qu'a la morphologic des elements vegetaux. a. 4:f, g) et du Temple d'AthenaNike, un caisson carre des Propylees selon E.

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